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![“[This] process points to an iterative structure at work in which there was no beginning or end but only the activation of the viewer’s encounter with the work at each given site. Their works often defied linguistic signification and focused instead on perceiving a perpetually passing present in which all elements (subject, object, and site) are inseparable and non-hierarchical, opening the materiality of the work beyond what is simply seen.”
Mika Yoshitake, “Mono-Ha: Living Structures” in Requiem for the Sun: The Art of Mono-ha](http://25.media.tumblr.com/tumblr_ma0218ZZMc1rruheho1_400.jpg "http://studiopractices.tumblr.com/post/31078142876/this-process-points-to-an-iterative-structure")
“[This] process points to an iterative structure at work in which there was no beginning or end but only the activation of the viewer’s encounter with the work at each given site. Their works often defied linguistic signification and focused instead on perceiving a perpetually passing present in which all elements (subject, object, and site) are inseparable and non-hierarchical, opening the materiality of the work beyond what is simply seen.”
Mika Yoshitake, “Mono-Ha: Living Structures” in Requiem for the Sun: The Art of Mono-ha
